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Insight & Analysis

ESSAYTHE WEEKLY

Against Imitation is the Sincerest Form of Flattery

Every artist who writes, paints, or simply creates is vulnerable to imitation by others. But what truly makes imitation a bad act when it comes from a fellow artist?

By Cluaidh Vuong

April 13, 2025

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LAYOUT BY ELIF LOEWE

Recently I read an excerpt of an essay from Oscar Wilde's book titled “The Decay of Lying.” The  essay is framed as a Socratic dialogue in which one character, Vivian, defends the idea that “Life imitates Art far more than Art imitates Life.” Wilde’s point, made with his characteristic flair, is that writing isn’t meant to mirror the real world: it shapes it. The more writing tries to be faithful to reality, the duller it becomes. True creativity lies in creation, not recreation. So that goes with imitation as well: imitation, he implies, is the death of originality.

As a writer, I’ve often heard the phrase “Imitation is the highest form of flattery.” At first, it sounds kind, and even to me encouraging. But the more I think about it, the more I realize how damaging that idea can be, especially for those of us who pour our hearts into our work. I believe writing is deeply personal. It’s an art that takes time and vulnerability. So when someone imitates our voice, ideas, or style without permission or credit, it doesn’t feel flattering to me. It feels like more of a theft. Every artist who writes, paints, or simply creates is vulnerable to imitation by others. But what truly makes imitation a bad act when it comes from a fellow artist?

From my perspective, as someone who writes, let me offer this generalization: imitation can strip away our way of writing. Every writer works hard to find their own voice, that unique way of expressing thoughts, emotions, and ideas through writing. It’s not something that comes easily, but rather it’s shaped by personal experiences, from our day to day lives, and wills of practice. When someone imitates that voice, it can feel like they’re wearing a costume that doesn’t belong to them. Instead of honoring the original, they reduce it to something shallow. True appreciation would be recognizing that voice, not copying it.

 

Oftentimes I have considered that copying undermines original work and effort, and it is true. Writing is often invisible labor. Readers may only see the polished result, but behind every poem, essay, or novel is a long process of brainstorming, drafting, then editing, and finally rewriting. When someone imitates a writer’s style or borrows their ideas without acknowledgment, it can erase that effort. It sends the message that the work can be reproduced easily, when in fact, every word is earned. So as a writer, there’s nothing flattering about seeing your ideas in someone else’s work without so much as a nod to where it came from.

 

There’s a fine line between being inspired and being copied. I firmly believe that inspiration encourages new creation, but in the worst cases, it becomes plagiarism, something writers know all too well. Whether it’s a stolen piece, a lifted metaphor, or an entire storyline that’s been rebranded by someone else, it’s a painful experience. Writers deserve credit for their ideas and the courage it takes to share them. When imitation crosses into theft, it’s not admiration, it’s more like exploitation.

Imitation rarely feels like flattery. To me it is just an insult. I believe it is something plagiarizers say when they get caught in the scene. We, writers, want to be respected, not copied. We write because we want to share our work, to make some people, who happen to read it, moved by it, and maybe even be inspired to create something original of their own. But imitation? That’s too easy, and too often it takes more than it gives. Imitation is absolutely not the highest form of flattery, and don’t let anyone tell you otherwise.

ABOUT THE AUTHOR

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CLUAIDH VUONG began writing with a focus on fiction in 2022, and contributed to literary magazines. In 2023, he is a recipient of Fiction of Our Time from Suwat-Tajaonun. When not writing, he enjoys reading novels and watching movies. He is the editor-in-chief and founder of Archivenal.

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